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KIM te gast bij de Universiteit van Nederland podcast
Luist naar de uitzending via onderstaande Youtube link!
De podcast is overigens ook te beluisteren op Spotify!
Luist naar de uitzending via onderstaande Youtube link!
De podcast is overigens ook te beluisteren op Spotify!
Wie zijn de mensen die ons inspireren om onze dromen na te jagen? Vandaag hebben we onze gast Kim Dankoor gevraagd op wiens schouders zij staat, aan wie zij schatplichtig is, wie volgens haar een eerbetoon verdient.
Kim Dankoor, is media-deskundige, hiphopexpert, PhD- onderzoeker naar Noord- Amerikaanse rapmuziek aan de Universiteit Utrecht en universitair docent Hiphop aan de Erasmus Universiteit. Kim portretteert de Amerikaanse auteur en journalist Joan Morgan, schrijver van het boek ‘When Chickenheads Come Home to Roost’, waarin zij de term Hiphopfeminisme introduceerde. Wat betekent dit en hoe past Kim dit in haar eigen leven toe?
Klik hier voor het interview.

(Globalized) Hip Hop culture, Popular culture, and the Politics of Representation
The once-humble (sub)culture of Hip Hop has come a long way since its inception in the 1970s in a disadvantaged neighborhood in the Bronx, as it is now an integral part of a (technology-mediated) global popular culture. From the latest Hip Hop dance crazes taking the online world by storm to talk show hosts using Hip Hop lingo. It is almost impossible to imagine Hip Hop culture as an invisible entity in popular culture. As representations in Hip Hop (and broader in popular culture) have the ability to shape our social and cultural worlds, the theoretical concept of the politics of representation is an important starting point to analyze (powerful) imagery in popular texts.
In this bachelor thesis class, we will (mainly) explore how representations in (popular) media texts (visual and written), relate to power, ideologies, institutionalized practices, audience perceptions and identity. Representations of ethnicity, gender, class, sexuality, religion, age, and disability are the main focal points. Thesis topics may include, but are not limited to:
We will work with concepts and theories from the fields of Sociology, Psychology, Hip Hop studies, Media studies, Cultural studies, and Intersectionality studies. Qualitative research methods used may include in-depth interviews, focus groups, observation research and/or textual analysis. Within this theme, supervision can be in Dutch or English.

KIM gave a lecture on the complex relationship between politics and rap music. The term ‘complex’ also refers to Love’s theory (2016) on complex personhood within Hip Hop culture. This class was part of professor Julian Schaap’s minor program: ‘Greatest Hits and Critics’ Picks.’
Illustrative quote: “Black people’s historic exclusion from social capital gave birth to a social construction that coexists with the dominant culture, borrowing necessary aspects to progress, but remained grounded in a type of counter-culture.” (Richardson & Scott, 2002).

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